not as brutal
From 2018 on, I’ve been structuring some of my live performances around compositions involving field recordings, synthesizers, recording devices, listening and live mixing (including mixing the compositions with the environment). I’ve been grouping them under the ‘tplgy._’ heading. Eventually some studies of the ‘idioms’ used in the compositions were presented in live settings. I prefer to group them under the ‘tplgy.id_’ heading.
The core idea is to treat all sounds, from hi-fi and "deceiving" field-recordings, processed and synthetic sounds, and the venue's/environment's sounds (and ambiences) themselves as topologically equivalent. I can, then, try to travel through them...
2019/10/18 - Loplop Livros. São Paulo, Brasil
2019/08/24 - Praça Sete de Setembro. Belo Horizonte, Brasil
2019/08/03 - Fosso. Rio de Janeiro, Brasil
2019/07/26 - Aparelho. Rio de Janeiro, Brasil
2019/07/18 - Audio Rebel. Rio de Janeiro, Brasil
2019/03/16 - Fosso. Rio de Janeiro, Brasil