tplgy.id_


tplgy.id5 (_earing)


Sonifications or recordings?



tplgy.id4 (X)


X


Start rec;

Sustained tone. Decrescendo, to the limit of perception;

Stop rec;


X


Play;

The sustained tone must be kept at the same dynamic level throughout (crescendo);

End of file;


X


tplgy.id3 (endo | exo)


1) start rec
2) monitor the recording through loudspeakers positioned relatively close to the microphones (they could be in different rooms)
3) control the gain in such a way that feedback is produced
4) control the feedback
 
microphones_out | loudspeakers_in
loudspeakers_in | microphones_out
microphones_in | loudspeakers_out
loudspeakers_out | microphones_in
microphones_out | loudspeakers_in
loudspeakers_in | microphones_out

microphones_in | loudspeakers_out
loudspeakers_out | microphones_in






tplgy.id2


A study of idioms:
    1) a naive physical model of a clarinet duo transformed into feedbacks (in tplgy.1, those feedbacks also turn into an imitation of the ‘oxcart’s songs’ [cantiga do carro de boi], present in tplgy.1, right before the immense bird's flock recording). Nord Micro Modular;
    2) no-input mixer focusing on feedback and saturation of digital effects bus. Soundcraft Signature 10;



Performances

2019.08.08 - Música Insólita Vídeo Performance
2019.06.27 - Espaço APIS, Festival SomaRumor. Rio de Janeiro, Brasil

tplgy.id1 (Gates)


A study of idioms:
    1) a field recording. Roland R-05;
    2) a gated reproduction of that field recording in the same place it was made. Gates programmed with DSI Mopho, Roland's output go through Mopho;